摘要
嵇康的音乐美学思想包含着这样一个逻辑层次:"和"是音乐的本体,进而是魏晋玄学的人格本体,归根结底是老庄的理想人格之"道"。这样,嵇康的音乐美学思想最终通向了天地自然之"道",表现了理想人格与音乐本体的合一。
There exists a logic structure in JI Kang^s musical aesthetics with "harmony" as the musical essence, then personality as the metaphysical essence in WEI AND JI Dynasties that can be further traced back to the ideal personality of "Tao" suggested by Laozi and Zhuangzi. By thus, JI Kang' s musical aesthetics leads to the natural law of "Tao", integrating ideal personality and musical essence.
出处
《贵州大学学报(艺术版)》
2015年第2期54-58,共5页
Journal of Guizhou University Art Edition
关键词
嵇康
音乐本体
理想人格
“和”
“道”
JI Kang
music essence
ideal personality
"harmony"
"Tao"