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从古画论到《园冶》看中国传统园林建筑理论的内涵 被引量:1

A Discussion of the Essence of the Theory of Chinese Traditional Landscape Architecture Based on the Theory of Ancient Painting and Yuan Ye
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摘要 "山水以形媚道"作为抽象目的而指导中国园林建设,其现实目的便是"虽由人作,宛自天开",其格调无拘无束、自然天成正在于求"逸"。从而可知古画论对于认识和研究《园冶》具有很重要的意义,六法与山水画论如同《园冶》造园之"腹稿"时刻影响和导引着中国园林建造的思维模式。我们从中国古画论的角度对《园冶》这部造园奇书进行了理论上的分析和传统思想内涵上的溯源,也为解读《园冶》提供的一种思路和方法,资以借鉴。 "landscape reflects the morality by form". As an abstract objective, this rule guided the construction of Chinese landscape, its real purpose is to realize the effect of "painted by human, but looks like natural", because its style is free and it just wants to pursue "nature". Thus we can know that the theory of ancient painting has vital significance for the cognition and research of the book Yuan Ye. Just like the "mental draft" in Yuan Ye, the theory of six methods and landscape painting always influences and leads the thinking mode of Chinese landscape architecture. This paper did a theoretical analysis of the book Yuan Ye from the angle of Chinese ancient painting and did a research of the essence of the traditional thoughts in this book. It also provided a reference view of understanding this book.
作者 韩久海
出处 《天津职业院校联合学报》 2015年第3期84-86,93,共4页 Journal of Tianjin Vocational Institutes
关键词 园冶 古画论 园林 六法 媚道 因借体宜 宛自天开 天然图画 Yuan Ye the theory of ancient painting landscape six methods reflect the morality appropriate as the original body look like natural natural painting
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参考文献3

  • 1明·计成著《园冶诠释》张家骥注释[M].太原:山西古籍出版社,1993.
  • 2清·阮元校刻.十三经注疏[M].杭州:浙江古籍出版社,1998.
  • 3宋·郭熙、郭思《林泉高敏集·山水训》[M].北京:人民美术出版社,1989.

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