大众文化批判的“症候解读”对当代中国文论重建的启示

A 'Symptomatic Reading' of the Mass Culture Critique and Its Implications for the Reconstruction of Contemporary Chinese Literary Theory

法兰克福学派的大众文化批判集中于20世纪40年代，以霍克海默、阿道尔诺合著的《启蒙辩证法》（1947）一书为标志，蒙》一文进一步论述了“文化工业”的概念，尔库塞，成为法兰克福学派的核心理论之一。

The critique of mass culture is a core theory of the Frankfurt School.Entering China in the early 1990 s,this critique enjoyed an initial but brief acclaim.As an over-reaction and over-interpretation stemming from painful historical memories,it tended to impede the impartial assessment of mass culture and the culture industry,resulting in obvious theoretical blind spots and gaps and making a 'symptomatic reading' necessary.Today,the Frankfurt School's critique of mass culture is still of value and significance as an intellectual resource and historical reference,but it warrants further scrutiny when used to analyze practical issues.Given the burgeoning of mass culture and the cultural industry presently under way in the Chinese market economy,we should rise above previous intellectual limitations and theoretical misunderstandings to give due weight and active encouragement to the positive energy of mass culture and the cultural industry.The construction of Chinese literary discourse has its own distinctive pattern,and must orient itself toward China and the contemporary era,and particularly toward the practical development of contemporary China in the current period of transition.The academic counterpart of this is a three-dimensional platform consisting of level of thought,value concepts,and Chinese characteristics.