荆浩的“笔、墨”与“象”

Jing Hao's Technique of Drawing,Application of Chinese Ink and Images

五代山水画家荆浩在《笔法记》一文中提出了"笔、墨"与"象"等重要的概念,它们之间有着不可分割的联系,并且是当时山水画领域的重要命题。"笔、墨"是山水画的基础表现手法,它们在表现外界之"象"上经历了由幼稚到成熟的发展过程。在荆浩所处的时代,"笔"与"墨"既相互依存、又各自发挥作用,在状物的功用上前所未有地表现了外界之"象",从而使山水画进入了一个高峰时期。

Jing Hao, landscape painter in the Five Dynasties presented the notion of technique of drawing, application of Chinese ink and images in Technique of Drawing, which were important factors in the landscape painting then. The technique of drawing and application of Chinese ink are basic in the Chineses painting, which underwent the process from immature to mature. In Jing Hao＇ s time, the two had mutual function to express the images leading the landscape painting to the peak.