当代女性花鸟画家“新工笔”探析——以雷苗、高茜为例

On “New Style of Meticulous Brushwork” of Contemporary Female Painters of Flowers and Birds——With Lei Miao and Gao Qian as examples

从"新工笔"的涵义辨析入手,以当代女性花鸟画家代表雷苗、高茜的创作为例,分析当下中国工笔画领域新锐与新意之说。当下"新工笔"的概念始终是以非再现、非意向抒情、非形式审美为标准,无处不体现着传统与当代的传承联系。

From the perspective of the analysis of the meaning of ＂new meticulous brushwork＂, with Lei Miao and Gao Qian, two contemporary female painters of flowers and birds, as examples, an analysis is made of the current new, cutting-edge and creative significance in China＇ s meticulous brush- work area. The concept of the contemporary ＂new meticulous brushwork＂ is always judged with the standard of no-reproduction, non-intentional lyric, and non-formal aesthetic, which embodies an inheri- tance relationship between the tradition and contemporary era everywhere.