“看”与“被看”的双重焦虑——关于电影《鬼子来了》的叙事视角

DOUBLE ANXIETY OF “SEEING” AND “BEING SEEN”——THE NARRATIVE ANGLE OF THE MOVIE DEVILS ON THE DOORSTEP

从"看"与"被看"的双重焦虑视角进入姜文的电影《鬼子来了》,影片颠覆了传统抗日题材电影的模式,消解了崇高、权威、集体等一系列宏大抽象客体,试图进一步还原历史的个人性、民间性和私密性,尝试通过充满隐喻的叙事剖析国家民族光环下的真实存在,实现对中日两个民族性格命运的寓言。

The film, Devils on the Doorstep which is directed by Jiang Wen, is studied from the angle of double anxiety of see-ing and being seen. The film has subverted the traditional narrative mode of anti-Japanese films, dispelling a series of grand abstract object, such as noble, authority and community, attempting to restore historical individuality, folk and privacy and ana-lyzing the real existence of national aureole through the metaphorical narration, with the realization of the fable on two national character destiny.