摘要
建筑制图依赖的是一套表达建筑的标准画法。为了保证普遍的可读性,符号、线宽、线型、填充和填色都有固定的类型。当建筑本身不是"全局"的一部分,建筑制图还能表达些什么吗?制图技巧依旧,但是惯例却能被精确的直觉和细微的差别所打破。该文章通过对里伯斯金作品的解读,探讨"大制图"及其对建筑学科的影响。
Architectural drawings rely on a set of standards from which to represent buildings. Notation, line weight, line type, hatches all typecast for the sake of universal leg when building is not part of the and fills, are bility Though big picture', what other risks do architectural drawings take? The techniques are sustained, but conventions are replaced by this article, the precise intuition and nuance. In authors investigate 'big drawingand unravel its disc essays: 'Who's Afraid of Disassembly.' plinary implications in paired of Micromegas? and 'The Acof Disassembly.'
出处
《时代建筑》
2014年第6期70-73,共4页
Time + Architecture
关键词
里伯斯金
惯例
制图
微型巨人
装配
轴测
拆解
爆炸分解
观察者
部分到整体
Libeskind
Convention
Drawing
Micromegas
Assembly
Axonometric
Disassembly
Exploded
Kapow
Observer
Part-to-whole