摘要
中国古人对时间和空间的理解表现为动态拟神,受传统哲学辩证思维观的影响,这种理念着重表现在艺术创作方面。以戏剧和园林两种同源异构的艺术类型为研究对象,从虚与实、动与静两方面探究两者在空间隐喻性辩证关系上之异同。两者皆深受中国传统文化浸淫,通过对其共通性的探析,认为在辩证统一哲学观的作用下,两者互相渗透并趋向融合。
Influenced by the Chinese philosophy of “being opposite and complementary” , time and space were understood in ancient China as dynamic simulation, which was mainly manifested in the production of art works. This essay investigates differences and similarities of the dialectical relationships in metaphor spaces of traditional drama and Chinese garden, two typical homologous and heterogeneous art genres, from the two aspects of imagination and reality, and activity and inertia. It concludes that based on the commonalities of these two art genres, which had deeply influenced by traditional culture, drama and garden could be integrated with each other under the philosophy of dialectical unity.
出处
《新建筑》
2015年第1期145-149,共5页
New Architecture
关键词
辩证思维
隐喻空间
虚实
动静
同源异构
opposite and complementary, metaphor spaces, imagination and reality, activityand inertia, homologous and heterogeneous