中华武术美学研究的历史演进及其未来展望

Historical Evolution and Future Research Prospects about Chinese Wushu Aesthetic Studies

中华武术的审美价值历来颇受重视,近年来武术美学的研究也日渐兴盛。研究运用文献资料法、逻辑分析法、比较法,从美学的视角对新中国成立60多年来我国武术美学的科学研究状况进行了梳理与分析。中华武术美学研究大致经历了起步期(1949—1978年)、缓慢发展期(1979—2003年)和快速发展期(2004年至今)3个阶段,研究内容主要涉及武术审美哲学的理论构建和武术美的本质研究、以范畴为中心的武术美学思想研究、武术艺术理论构建及武术与其它艺术之间的关系研究、武术审美教育研究等5个方面。前期研究已取得一些良好成绩,但也存在问题。面向未来,武术美学研究既要立足自身的研究现状与内在需求,也要善于将当前美学研究中所出现的实体论向生成论转型的趋势,以及自律与他律、形上与形下结合更紧密的发展动向应用于武术审美实践的考察,以此进一步推进与深化武术美学的相关研究。

The aesthetic value of Chinese Wushu has always been highly regarded with relevant research being flourishing in recent years. From the perspective of aesthetics and by using the methods of literature review, logical analysis and compari- son, the paper discusses the scientific research status of Wushu aesthetics in the past 60 years. The results indicate that Chi- nese Wushu aesthetic research has gone through three stages which are the starting stage （1949--1978）, the slow develop- ment period（ 1979--2003 ） and the rapid development period （2004 up to now）. The research content mainly involves five aspects as those which are the theoretical construct of aesthetic philosophy of Wushu and the essence of Wushu beauty. There are researches on the aesthetic thoughts of Chinese Wushu, Wushu arts theory - building and the researches on the relation- ship between Wushu and other arts, the researches about aesthetic education of Wushu and so on. Some good results have been achieved , but there are also some problems. In the future, the research should not only be based on its own research status and internal demand, but also pay more attention to the contemporary tendency of Aestheticism which are from ontology to generativism, the combination of self restraining and other restraining , the metaphysical and under - shaped will become more closer, and much deeper research which is more relevant to the aesthetic practice of Wushu should be carried out.