对有效分析的探索--以解读王建民《第四二胡狂想曲》调式归属与句法结构为例

A survey on Effective Analysis: Identification of Modes and Phrase Structures of The Fourth Erhu Rhapsody by Wang Jianmin

王建民《第四二胡狂想曲》一方面在保持中国广大听众调性旋律欣赏习惯的前提下,根据西北民歌旋法中的音程与调式游移特征,加快调式游移的频率,另一方面在保持句法结构和语气重音的情况下,加强节拍变换的灵活性,从而创作出具有现代感的旋律。本文从调式归属与句法结构角度解读其音高结构逻辑,并与用音级集合和申克分析法解读音高结构逻辑相比较,探讨分析角度与方法选择与分析有效性之间的关系。

The purpose of this paper is twofold ： first, the pitch organization of the Fourth Erhu Rhapsody by Wang Jianmin is explored via the identifications of modes and phrase structures, by which the melodic writing is modernized through the acceleration of modal shifting that is derived from stylistic features of Shanbei folksongs; second, the analytical effectiveness is examined by the comparison of the set - theory and neo - Schenkerian analysis with identifications of modes and phrase structures.