电影批评的纯度

Purity of Film Criticism

从哲学的角度讲,探索电影批评的纯度,也就是探索电影批评的时空结构。根据电影批评的历史和现状,我们可以将对电影的"批评"分为三类:民间大众的"说"的电影批评、传统媒介的"评"的电影批评和理论为本的"论"的电影批评。"说"的电影批评的"说",在这里指的是百姓大众对电影活动的一种批评:三言二语、街头巷尾和茶余饭后的对电影活动的闲话式"评头论足"。"评"的电影批评的"评",指的是传统的纸质媒介的批评——一种经典式的电影评论。"论"的电影批评的"论",顾名思义,指的是理论型的电影批评。电影批评的纯度,不是对商业性的祛魅——去掉商业性的评论,而是针对电影特殊性的细分化的批评,一种迎合电影本体特征的批评。电影批评的纯度,是一种激扬电影本体的批评。我们将工业文明发明的这种最大众化的艺术样式的批评权力,还之于它的消费主体——大众百姓,让"说"电影成为电影批评的常态。

From the angle of philosophy, to explore the purity of film criticism is to explm＇e the stlaacture of time and space of film criticism. According to the history and current situation of film criticism, we can categorize film criticism into 3 types： criticism made by common people, frank and full of gossip, criticism made by traditional media, a clas- sical film comment, criticism made by theorists. The purity of film criticism does not mean to get rid of commercial comment, but to criticize the details and peculiarities of film. The purity of film criticism is a criticism inspiring film essence. We should give the critical right of the most popular art in industrial civilization back to its consumption sub- ject, and let such kind of criticism become the ordinary state of film criticism.