期刊文献+

中国传统绘画艺术的哲学透视 被引量:1

On the Traditional Painting Arts of China from the Perspective of Philosophy
下载PDF
导出
摘要 以部分经典绘画作品为解读视角,对蕴涵其中的哲学思维进行剖析后发现各种形式的中国传统绘画艺术都不刻意模仿对象,而是贯穿着物我贯通的创作宗旨,这正是中国哲学"天人合一"思维在传统绘画艺术领域中的体现。"天人合一"思维方式强调心与物的融合,由此使中国传统绘画艺术形成了独特的表现形式和迥然不同的风格。 Taking some classical paintings as analytical angle, the author analyzed the philosophical thinking which is contained in these paintings and found that various forms of traditional painting arts were not imitated the objects deliberately but penetrated the purpose of the mutual blend of subject and object, which is the manifestation of Chinese philosophical thinking of the unity of human and heaven in the traditional artistic fields. This philosophical thinking emphasized the integration of mind and matter, so the traditional painting arts of China formed special expressional forms and total different styles.
作者 郭德君
出处 《重庆文理学院学报(社会科学版)》 2015年第3期96-99,共4页 Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
关键词 中国 传统绘画艺术 哲学思维 天人合一 China traditional painting arts philosophical thinking the unity of human and heaven
  • 相关文献

参考文献4

  • 1丹纳,曹园英译.艺术哲学[M].西安:陕西人民出版社,2007:2.
  • 2康德 邓晓芒译.纯粹理性批判[M].北京:人民出版社,2004.170-171.
  • 3董仲舒《春秋繁露·卷第十·深察名号第三十五》.
  • 4唐张彦远所著《历代名画记·卷第十·唐朝下》.

共引文献423

同被引文献2

引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部