摘要
以部分经典绘画作品为解读视角,对蕴涵其中的哲学思维进行剖析后发现各种形式的中国传统绘画艺术都不刻意模仿对象,而是贯穿着物我贯通的创作宗旨,这正是中国哲学"天人合一"思维在传统绘画艺术领域中的体现。"天人合一"思维方式强调心与物的融合,由此使中国传统绘画艺术形成了独特的表现形式和迥然不同的风格。
Taking some classical paintings as analytical angle, the author analyzed the philosophical thinking which is contained in these paintings and found that various forms of traditional painting arts were not imitated the objects deliberately but penetrated the purpose of the mutual blend of subject and object, which is the manifestation of Chinese philosophical thinking of the unity of human and heaven in the traditional artistic fields. This philosophical thinking emphasized the integration of mind and matter, so the traditional painting arts of China formed special expressional forms and total different styles.
出处
《重庆文理学院学报(社会科学版)》
2015年第3期96-99,共4页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
关键词
中国
传统绘画艺术
哲学思维
天人合一
China
traditional painting arts
philosophical thinking
the unity of human and heaven