摘要
曲谱从宋代以来即可指乐谱,明清以来可兼指"格律谱"和"工尺谱";而"宫谱"在明末清初时多指"格律谱",不带工尺谱。康乾时期,在"格律谱"的基础上又加上了工尺谱,如《九宫大成》,成为"典型的"宫谱;从乾隆末年开始,宫谱已向工尺谱的意义转化,直到近代,宫谱始专指带工尺谱的曲谱。
Qupu refers to Yuepu since Song Dynasty and comprises "Gelvpu" and "Gongchepu" after Ming and Qing Dynasty. However, "Gongpu" refers mainly to "Gelvpu", but not Gongchepu at the end of Ming dynasty and beginning of Qing dynasty. During the period of Kangxi Emperor and Qianlong Emperor, "Gongpu" then includes Gongchepu, taking Jiugong Dacheng, a "typical" Gongpu as an ex- ample. Gongpu has begun to change its meaning to Gongchepu since the end of Qianlong Emperor and specifically refers to Qupu with Gongchepu until contemporary China.
出处
《河北大学学报(哲学社会科学版)》
CSSCI
北大核心
2015年第2期94-97,共4页
Journal of Hebei University(Philosophy and Social Science)
基金
2013年度教育部人文社会科学研究青年基金项目(13YJC760045)
2011年河北省社科基金项目(HB2011QR38)