摘要
In many representative, literary, cinematic, or artistic products of modern civilization, the problem of world＇s reality and the relationship of the subject with it, are seen from different viewpoints, such as the dimension of the utopian perception of a dreamlike or imaginary composition, subconscious creation, but also more complex versions such as computer mediated complete illusion, artificial intelligence, and control of the brain, intrusion, and influence exerted on the thought of the other using modern technology or any combination of all the above. It is thus understood that the issue at hand can be approached from a variety of viewpoints and aspects, such as the philosophical, psychological, psychoanalytical, technological, neurophysiologieal, sociological, literary and so on Our viewpoint is strictly limited to the theatrical dimension and our analysis will prosress based on data comprising the theatrical phenomenon, that is, the illusion, as opposed to virtual reality of modern technology.
