《所罗门之歌》的权力关系

Power Relations in Song of Solomon

《所罗门之歌》中的空间战争、规训话语、他者属性等权力具体表征揭示了意识形态无孔不入的社会现实:"林肯天堂"作为物质空间,成为权力之争的焦点,黑人杰克等人获取主体身份的潜在性,让当权者产生空间焦虑从而杀心顿起;麦肯的规训话语无法得到社会认同,于是他只能对家中女性和生态环境施以暴力,令文本呈现出生态女权主义的革命性;派拉特以他者性成为光彩形象,却又在权力结构中遭遇归顺和同化。小说秉承莫里森一以贯之的后现代风格,将权力机制中的身份主题演绎得入木三分。

Space war, discipline discourse and the otherness in Song of Solomon reveal the ideology perva-sive in social reality.Lincoln’ s Heaven, as physical space, has become the focus of power conflicts.Jack’ s potential of achieving subjectivity causes the authority’ s spatial anxiety which leads to Jack’ s death.Ma-con’ s discipline discourse can ’ t get himself social recognition, thus he can only implement violence on women and the ecology, which makes the text present evolutionary character of ecological feminism.By vir-tue of otherness, Pilate becomes a glorious woman, but later suffers from yielding to as well as being assimi-lated by power structure.This novel, adhering to Morrison’ s consistent style of postmodernism, deduces i-dentity theme in power mechanism vividly.