上海都市景象的文学建构——论穆时英小说中的电影元素

The Literature Construction about Urban Landscape in Shanghai——In Terms of Movie Elements in Mu Shiying's Novels

1920年代末的上海在资本主义的冲击之下出现了以电影手法融入文学创作的"新感觉派圣手"穆时英,其小说创作颠覆了传统叙事模式。以平行蒙太奇与交叉蒙太奇的手法表现大都市上海的空间景象;以行人视角与特写镜头呈现上海经验的具象文本;以承袭电影并超越电影的视觉洗礼,对繁华上海进行光色的解码。穆时英以其新颖的文学创作手法刷新着人们的上海都市认知,以文字建构上海都市景象。

Writing skills found in movies are used by“New Sensation School”essayist Mushiying when modernity shocked Shanghai in 1920s. Traditional narrative patterns are overturned by his writing skills. Using parallel montage and cross montage to show the space scene of big city Shanghai, and to present image text by means of pedestrian view and film close-up; to follow and surpass visual of movies; to decode light and color of Shanghai. The new writing skills which created by Mushiying change the perception about Shanghai. Mushiying tries his best to construct the beauty of Shanghai.