摘要
中国当代作曲家黄安伦创作于20世纪70年代的钢琴小品集《塞北小曲三十首》,以独到的创作视角与取材、承接于民族文化传统却又不失时代气息的创作语汇,反映了作曲家与众不同的创作理念与精神气质。此作品也因"中西并蓄"的创作手法、明确的技术指向与精妙的钢琴语言等特质而成为极具中国韵味的钢琴教材。
Embedded in the tradition of national culture yet keeping in touch with the spirit of the present age, Thirty Saibei Lyrics, piano works composed in the 1970s by Huang Anlun, a contemporary Chinese composer, tap a new subject matter and reflect the composer′s unique ideas of creation from a novel point of view.By virtue of its method of ＂incorporating both the Chinese and the foreign＂, its marked technical tendency and its exquisite piano language, etc, it makes an ideal textbook in piano lessons with a distinctive Chinese flavor.
出处
《美育学刊》
2015年第3期114-120,共7页
Journal of Aesthetic Education
基金
2014年度浙江省教育厅高等学校访问学者专业发展项目<黄安伦〈塞北小曲三十首〉钢琴演奏与教学价值研究>(FX2014155)的研究成果
