趣味转变与身份危机:南阳曲子戏诞生的文化解析

Taste Change and Identity Crisis: Cultural Analysis of the Birth of Quzi Opera in Nanyang

在河南三大地方戏曲之一的曲剧形成过程中,南阳曲子戏吸收了南阳大调曲子的唱腔音乐,丰富了自身的唱腔系统,为其进一步发展为成熟的戏曲样式曲剧奠定了基础。仔细追究其各自的表演空间和表演风俗,笔者发现对于演员和观众而言,二者分属于不同的文化空间,表征着不同的文化和审美趣味。本文聚焦于清末民初特定历史时期,力图探讨从曲子戏形成过程中所体现的演员和观众艺术趣味的转变,及转变背后的身份危机。

In the forming process of Qu opera which is one of the three major local operas in Henan, the Quzi opera in Nanyang absorbed the vocal music of Dadiao tune, enriched its vocal system, and laid the foundation for its further developed form --- Qu opera. Carefully investigating their respective performing space and custom, the author found that they belonged to different cultural spaces and represented different cultures and aesthetic tastes in respect of the actors and the audience. Focusing on the specific historical period of late Qing Dynasty, this paper tries to explore the aesthetic taste changes and identity crises of the actors and audience during the forming process of Quzi opera.