摘要
史料证明,先有跳舞实践,后有胡旋舞名称。胡旋舞本为女性专业舞蹈,安禄山以肥胖老男之身跳胡旋舞,意在制造笑话。安史之乱后,由于事件的新闻效应和内容的戏剧化色彩,因而胡旋舞广为传播。学者们围绕敦煌壁画的乐舞图像是否为胡旋舞展开的研究,并未涉及胡旋舞的含义。敦煌壁画中的胡旋舞分布规律也证明,胡旋舞极盛时期,不是盛唐而是中唐后。即使是讲化生童子的变文,也不曾使用"胡旋舞"之称。所谓胡旋舞在历史上根本就是一个误会。它是北朝汉人对胡人舞蹈,或者是今人对敦煌壁画说法图的一种误读。
According to the historical proof,the name of Hu Xuan dance emerged after the dance practice.Hu Xuan dance originally designed for female professional dancers.Lushan danced Hu Xuan with his old fat body,intending to make a joke.After Lushan Rebellion,its news events effect and dramatic content made Hu Xuan widely disseminated.Scholars studied around it whether those dance images in Dunhuang frescoes were Hu Xuan dance,not involving its meaning.It was proved by the distribution rules of Hu Xuan dance in Dunhuang frescoes that the flourishing period was not the Mid- term but the heyday of Tang Dynasty.Hu Xuan dance is simply a kind of misunderstanding that modern people called Dunhuang frescoes Preaching.
出处
《西夏研究》
2015年第2期88-98,共11页
Xixia Research
关键词
胡旋舞
安史之乱
敦煌壁画
化生
Hu Xuan Dance
Lushan Rebellion
Dunhuang Frescoes
Metaplasia