摘要
虽然米芾在"集古字"的过程中转益多师,但总的来说,米芾"集古字"可以分为两个阶段,32岁之前是"广泛集古"阶段,其后进入"定向集古"阶段,并开辟了一种新的"临古—集古—通变"的学习方式,即"以我为主学古人"。米芾"集古字"有三个层次的意义,其一是集"字",其二是集"方法",其三是集"文化"。而"定向集古"阶段的主要取法对象是"二王"为代表的魏晋书法,在此过程中,米芾"集古字"不仅促进了"二王"法帖的鉴藏、摹刻与传播,也保证了"二王"法脉的传承,对其后的书法发展产生了深远的影响。
Mi Fu learned from other masters in the process of creating "Jiguzi", which could be classified into two periods: broad sucking before he was 32 years old, then "directional Jigu", opening a new learning style of "copy - accumulation - transformation", that is, learning from the ancients based on self - centered style. Mi Fu' s "Jiguzi" conveyed three meanings : first, the character itself; second, the method ; third, the culture. The object for the "directional Jigu" is the calligraphy in Wei -Jin Dynasty, represented by Wang Xizhi and Wang Xianzhi. Mi Fu' s "Jiguzi" promoted the collection, carving and the wide spread of writing scripts of "Two Wangs", and en- sured the inheritance of Two Wangs' calligraphy styles, which produced great influence on the later development of calligraphy.
出处
《湖北文理学院学报》
2015年第4期15-18,共4页
Journal of Hubei University of Arts and Science
关键词
米芾
集古字
王羲之
王献之
Mi Fu
Jiguzi
Wang Xizhi
Wang Xianzhi