摘要
伊恩·麦克尤恩可谓当代英国文坛的常青树,他的诸多作品已经从评论家的最爱变成了普通读者的宠儿。本文着眼于1998年为麦克尤恩夺取布克奖的小说《阿姆斯特丹》,聚焦作品的叙事策略,从互文性和反讽两个方面展示这部小说的艺术魅力。
Most of the works by Ian McEwen, arguably the most prolific and popular of contemporary British novelists, have undergone critical scrutiny from various perspectives. Curiously enough, Amsterdam, the novel that won him a Booker prize in 1998, has received little critical attention. This article attempts to address this inadequacy in McEwen studies by exploring two major narrative strategies in Amsterdam, intertextuality and irony, to shed light on the meaning of the novel.
出处
《当代外国文学》
CSSCI
北大核心
2015年第2期72-79,共8页
Contemporary Foreign Literature
基金
教育部人文社会科学基金资助(项目编号14YJC752023)
南京理工大学"卓越计划"
"紫金之星"专项计划资助
