“天人合一”视野下中国传统绘画的多元审美味象

On the Research about the Aesthetic Taste of Traditional Chinese Painting of Multiple Image from the Perspective of “Harmony between Man and Nature”

"天人合一"的绘画美学思想具有多元性,衍生出了不同的绘画美学范畴。在"天人合一"的绘画美学视野下,顾恺之提出的"传神写照"、谢赫论述的"气韵生动"、宗炳主张的"澄怀味象"、陆机倡导的"情景交融"和宋代的"心物感应"都追求人与自然、心与物的和谐统一,体现着中国传统绘画美学的价值追求和本质特点。"天人合一"视野下中国传统绘画美学的生命性、创新性、深刻性和崇高性具有现代价值,这些美学智慧是现当代绘画美学传承与创新的基础。

＂The unity of heaven and man painting＂ aesthetic ideology has diversified and it derived from different painting aesthetics. Under ＂harmony between man and nature＂ of painting aesthetics, Gu Kaizhi put forward the ＂vivid portrayal＂, Sheikh discussed the ＂vivid＂, Zong Bing advocated ＂Huai Cheng taste like＂, Lu Ji advocated ＂scenes＂ , and the Song ＂heart induction＂, which are the pursuit of man and nature, the harmony of mind and matter,which reflect the value pursuit of China traditional aesthetics and the es- sence of characteristics. ＂With modem value of harmony between man and nature＂ from the perspective of Chinese traditional painting aesthetic life, innovation, profound and lofty, these aesthetic wisdom has the possibility to modem painting aesthetics, the feasibility of the transition.