张爱玲“苍凉”悲剧思想的生成及对中国现代悲剧理论的发展

On Zhang Ailing “Desolation”Tragic Idea's Generation and its Aesthetic Value

"苍凉"是张爱玲在其文论中经常提到的一个词,蕴涵了其悲剧审美趣味及审美追求。"苍凉"悲剧思想的生成与她特殊的人生经历、艺术个性、中西文化修养密不可分。"苍凉"悲剧思想既继承了西方文学与"五四"文学的悲剧传统,也整合了中国传统文学与传统美学的悲剧思想,是对中国现代悲剧理论的开拓发展。

'Desolation'is often mentioned by Zhang ailing in the literary theory,which contains the thought of tragedy,aesthetic interest and aesthetic pursuit. The production of 'desolation'tragic idea is closely linked to her special life experience,artistic personality,and Chinese and western self-cultivation. The tragic idea not only inherited the tragedy of the western literature and 'May 4th'literature tradition,but also the integrated Chinese traditional literature and aesthetic thought. It is the development of Chinese modern tragedy esthetics.