摘要
2014年4月过世的诺贝尔文学奖得主马尔克斯一般会与"拉美文学爆炸""魔幻现实主义"及《百年孤独》联系在一起,对其首个出版物《枯枝败叶》涉笔不多;在探讨其师承影响时,又多仅指向卡夫卡、福克纳,而对予其创作技巧产生关键影响的伍尔夫鲜有提及。通过《枯枝败叶》和《达洛卫夫人》的对比,不难发现马尔克斯对伍尔夫的"多人称内心独白"、时间结构和"视见"理论等皆有因袭,但其过人之处,亦在于承袭之后的超越。
García Márquez the Nobel Laureate winner,who died in the April 2014 is usually connected to 'Boom Latinamericano','magic realism'and One Hundred Years of Solitude. Scarcely did the academic circles attach importance to Marquez' first publication La hojarasea which built the Macondo and opened up the magic road. When discussing the influence they merely studied in Kafka and Faukner yet talked so little to Virginia Woolf. Through the comparison between La Hjarasea and Mrs. Dalloway,we find out that those writing techniques that Marquez has learnt from Woolf include 'multi-pesperctives internal monologue',time structure and 'Vision'theory. However,what made Marquez great is his trying to surpass Woolf.
出处
《福建师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2015年第3期108-114,170,共7页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition