当代中国电影的身体政治研究

Body Politics of Contemporary Chinese films

近年来,身体政治作为一种新的研究视角被引入到当代中国电影的研究领域中,取得了较为丰硕的学术成果。理论前沿性、学科综合性以及对电影身体直击性的充分尊重,使得身体政治研究成功拓展了当代中国电影研究的边界:首先,通过以银幕身体为窗口,捕捉藏身其后复杂多变的权力关系、文化景观,实现了对既有当代中国电影史的补白;其次,重建有"人的感性活动"的历史现场,从感官机制层面探索了美学化政治的奥秘;最后,开辟明星研究的新的理路与方向,实现了对明星现象的更为立体丰满的审视与研讨。不过,其具体实践中也存在着对电影语言的分析不足,对思想史、社会学结论的简单搬演、对观众接受主体的非历史想象等问题,尚需要进一步的提高与完善。

In recent years,the body politics was brought into the researches on contemporary Chinese films as a new angle of view,and many fruitful academic works were written.In terms of advanced theory,multidisciplinary integration and the respect on the body,the researches on body politics of contemporary Chinese films broaden the boundary of academic re-searches.In the first place,the research searches the intricate relation through the body on screen,trying to fill the blanks of the contemporary Chinese film history.The research also rebuilds the historical site of ＆quot;human perceptual activ-ity＆quot;,obtaining the secret of political aesthetics from the sensory mechanism.In addition,the research develops new means of star study and makes the discussion of star phenomenon more diverse.However,there are many problems such as the insufficient analysis of film languages,the simple copy of the thought history and sociology,and the identical i-magination of movie-goers,which need more heightening in the next step.