鲁迅和林语堂女性叙事的解构

Lu Xun and Lin Yutang: Deconstructing the Female Narrative

鲁迅在文化视阈下呈现女性悲剧,林语堂在自然视阈下呈现女性喜剧,其女性叙事大相径庭,为现代女性文学研究提供了不同的话语版本。然而,鲁迅和林语堂以关怀女性为核心的意义生成方式和话语言说方式,往往因为"二元对立"法则变异为某种文化权利符号的政治解读功能。其实,"文化形成"和"自然造物"是中国现代女性乃至当代女性必须面对的文化叩问。应改变论高下比优劣的批评模式,以"文化"观照"自然",跨越"文化"与"自然"二元对立的话语围栏,从不同话语表述入手,探寻鲁迅和林语堂"二元"走向的思想意脉,在女性研究的框架内解构女性思想启蒙和身体解放不期而遇的文学意向,探寻"二元"和解的文学图景。

Lu Xun presented the female tragedy from a cultural perspective while Lin Yutang presented the female comedy from a natural perspective. The two female narratives provide different versions of discourses for modern female literature students. Meanwhile, their generation of meaning and style of speech developed fundamentally for the female care tend to be wrongly interpreted into certain symbols for cultural privileges our of politic purposes because of the principle of binary opposition. In fact, whether women are “the cultural formation” or “the natural creation” is the inquiry of Chinese culture that contemporary Chinese women must make. It is suggested that critics should stop arguing which is better. They should cross the barrier between culture and nature to find out the tracks of thoughts of the two by discourse study, do the literary deconstruction of female intellectual enlightenment and female physical emancipation in clash and explore the literary picture of the binary reconciliation of the two.