姚一苇戏剧研究的反思与展望

A Review on the Study of Yao Yi-wei's Drama

姚一苇戏剧研究在戏剧主题/形式研究、戏剧美学思想研究、作品译介及舞台艺术研究、传记性研究和戏剧/文学史研究五方面取得了一定成果,但同时也存在着两方面的不足:一是戏剧作品或理论的单独类别研究突出,整合研究少;二是单篇论文多,全面深入的专著少。因而,姚一苇戏剧研究还有较大的空间,有待学术界进一步挖掘,尤其是以下四方面值得深入探讨:一是姚一苇对台湾现代"人学"戏剧传统的开创及影响,二是在多元文化语境中探索民族文化心理,三是"中国现代戏剧范式"的开创及实验戏剧理念的深化,四是台湾现代戏剧教育领域的拓垦。

The study on Yao Yi-wei＇s drama has made achievements in the following five aspects： the theme/form research, aesthetic thought research, translation works and stage art research, biographical research and drama/literary history research. In the study, however, exist three defects. Firstly many overall studies are shallow and unspecific, and not systematic, and await breakthrough in the study method. Secondly individual researches on single works or theories are prominent, while integrated studies insufficient. Besides, individual theses abound while comprehensive monographs are deficient. Therefore, much room remains for on-going study of Yao Yi-wei＇s drama, particularly in the following four aspects： first, Yao＇s role in the founding of the ＂humanity＂ tradition of Taiwan＇s modem drama; second, his exploration of national cultural psychology in a multieultural context; third, the initiation of ＂modem Chinese drama paradigm＂ and the deepening of the experimental drama concept; forth, his pioneering work for Taiwan modem drama education.