摘要
高晓声是农民作家,更是具有启蒙思想的精英知识分子。他借助文学启蒙民众的起点是在"探求者"文学社酝酿时期,他的小说借科学知识的普及来实现启蒙目的,其时虽显幼稚但启蒙激情却是热烈。到改革开放时期,他以《摆渡》这一寓言式的小说表达了他启蒙与反思的渴望,成为他文学启蒙的理论诠释。经典人物陈奂生的成功塑造实现了作家借"摆渡"人的灵魂到对岸的目的,完成了启蒙与反思的任务。
Gao Xiaosheng was a peasant writer,and an elite intellectuals with the idea of enlightenment as well. The start piont when he engaged in enlightening people by literature is the brewing time of “the seeker ”literary a-gency.He achieved the purpose of enlightenment by the popularizing scientific knowledge in his novels.Although he was naive ,his enlightenment passion was warm.To,Then he expressed his desire of enlightenment and intro-spection by the allegorical novels ferry,which was published during the period of reform and opening up and beca-men the theory annotation of his literary enlightenment.He succeeded in shaping the classic character of Chen Huansheng.And he achieved the goal of the writer′s “ferrying”the soul of the people to the opposite side,and completed the task of enlightenment and reflection.
出处
《常州大学学报(社会科学版)》
2015年第3期86-91,共6页
Journal of Changzhou University:Social Science Edition
关键词
“探求者”
《摆渡》
高晓声
启蒙与反思
“The seeker ”
Ferry
Gao Xiaosheng
enlightenment and reflection