摘要
近年来,建水紫陶的装饰工艺中,出现了一种经过多次反复刻填形成丰富的色彩效果的新风格——彩填。同历史上经典的建水紫陶作品相比,此类"彩填"作品令人感到耳目一新,但其中许多作品一味追求色彩的复杂度和强烈度,缺失了文化内涵。针对这一喜忧参半的现象,文章从追溯建水紫陶的刻填装饰技艺的历史渊源开始,结合早期的经典作品分析建水紫陶的审美取向,揭示其文化内涵;通过几位颇有代表性的当代建水紫陶陶艺家的作品,讨论建水紫陶在近十几年内的发展与存在的问题;结合当下"彩填"在建水紫陶中的运用实际探讨建水紫陶刻填装饰技艺的传承与创新问题。
In recent years, a new decorative style of Jianshui Pottery called FILL COLOR is popular, which produces rich color effects after carve and fill repeatedly. Compared with the classic works of Jianshui Pottery in history, such FILL COLOR works are refreshing. However, many of the works are lack of cultural connotation because of the blind pursuiting of complexity and intense of colors. In response to this mixed phenomenon, the paper begins with dating back to the early decorative style of Jianshui Pottery, reveals its cultural connotations with examples; discusses issues of the development of Jianshui Pottery within the last ten years with several works of the contemporary Jianshui Pottery artists; discusses issues of the inheritance and innovation of decorative art of Jianshui Pottery with actural applications of Jianshui Potter.
出处
《红河学院学报》
2015年第3期19-22,共4页
Journal of Honghe University
关键词
彩填
建水紫陶
传承
创新
Fill Color, Jianshui Pottery, inheritance, innovation