“无限心曲”的景观化——从时空角度看温词对女性情感的捕捉与演绎

Landscape of Infinite Heartsongs——Capturing and Deducting the Female Emotion in Wen Tingyun's Ci Poetry from the View of Space-Time

晚唐温庭筠开香艳小词的蹊径,其词多是"男子作闺音"之作,作为旁观者的温庭筠通过选择暗示性的词语和意象,将女性的心灵"景观化",在这幅画里又从送别地点到闺阁绣楼、闺阁绣楼到芳园曲径的空间角度,从白天到傍晚、傍晚到拂晓的时间角度,全方位、立体性地展现出了独锁红楼的女性幽深微妙的"无限心曲"。

Wen Tingyun developed a new kind of Ci poetry full of eroticism in the late Tang Dynasty. Most of his Ci were filled with boudoir sound. As a spectator, he selected the suggestive words and images which landscaped the Female＇s Heartsongs. In this Landscape, the deep and subtle unlimited Heartsongs of female that were locked in the Red House alone were showed comprehensively in a three - dimensional angle which consists of space and time. The space angle was from the place of bid farewell to boudoir and from boudior to the garden path. The time angle was from daytime to sunset and from sunset to foredawn.