摘要
该文从声音解放诉求到多元化声响聚合的使用、物理维度探索到声音投射技术的实践,以及突破传统曲式到晶状结构形式的构建等几个方面,并通过对作品《多棱镜》的音乐分析,比较深入地探究了瓦列兹音乐观念与其音乐创作形式化程序间的关联。
Through analysis of the music of Hyperprism, this paper deeply explored Varese's music conception connection with his formalized program of music creation as several aspects that from appeal of sound liberation to the using collection of diversification sound, exploring of the physical dimensions to practice of the technique of project sound, and broken through the traditional music form to the construction of structure of crystalline.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2015年第1期4-16,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
上海市教育委员会科研创新重点项目<音乐的观念及其形式化程序>(10ZS107)成果之一
关键词
瓦列兹
声音解放
多元化声响聚合
声音投射
晶状结构
多棱镜
音乐观念
形式化程序
Edgar Varese (1883-1965), sound liberation, collection of diversification sound, project sound, structure of crystalline, Hyperprism (1923), conception of music, formalized program