期刊文献+

法国对中国音乐的接纳

On the France Acceptance of Chinese Music
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摘要 文章介绍了近年在法国产生影响的中国当代作曲家及其作品;还有他们创作所依托的道家思想、作品所运用的中国传统乐器和表演形式。这些中国作曲家不但呈现了各自的创作特色和音乐思想,也为中国音乐和中国文化向法国乃至西方世界的传播产生了积极的作用。 This paper was lecture content of music review by French music theorist Mich e le Tosi in "2014 Wuhan International Music Festival". It introduced the Chinese contemporary com- posers with their works affected in France in recent years, the Taoist ideas their creation were re- lied on, and the Chinese traditional instruments with their performing form used in those works. Those Chinese composers were not only presented their individual creative and music ideas, but also had a positive effect to spread the Chinese music and culture to France and the Western world.
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2015年第1期164-168,共5页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 法国 中国当代作曲家 中国音乐 道家思想 中国传统乐器 表演艺术 France, Chinese contemporary composers, Chinese music, Taoist ideas, Chinese traditional instruments, performing art
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