摘要
与俄国经典现实主义作品相比,契诃夫的情节构造具有十分明显的特殊性,表现为情节规模的收缩和叙事单元容量的增加,这一点决定了契诃夫处理情节冲突的独特方式——削弱冲突的外在的情感爆发和内在的原则性分歧,以冷静而节制的"客观主义"语调不动声色地叙述实则惊心动魄的激烈冲突,着力寻找冲突双方的共同弱点,使他们的对立立场的边界在生活的总体情境中模糊化,表明人周围荒谬而琐碎的生活境遇是造成人与人之间冲突的最终根源。
Compared with other Russian authors of realistic classics,Chekhov's construction of plots exhibits an outstanding feature that paradoxically combines the decrease of plot magnitude with the increase of message within narrative units.This makes the uniqueness in Chekhov's manipulation of conflicts within his plots,i.e.,to downgrade both emotional outbursts and inward strife between principles,while narrating nonchalantly with a detached and refraining 'objectivism' the vehement clashes de facto.When the common weakness between both sides of the clashing parties comes to be identified in narration,their dividing line of standpoints gradually becomes blurred in the context of real life.Hence the absurdity and triviality of the characters' living environments prove finally to be the real origin of human conflicts.
出处
《外国文学》
CSSCI
北大核心
2015年第3期45-52,158,共8页
Foreign Literature
