摘要
1890年,森槐南开始在早稻田大学的前身东京专门学校讲授词曲,1898年出任东京大学讲师。狩野直喜与盐谷温同出东京大学之门,均将中国戏曲作为自己的研究目标,他们对森槐南的研究成果重视不足,而这两位校友之间的关系亦颇为微妙,本文试图以3位学者为中心展开对这段学术史的剖析。
In 1890, Mori Kainan started teaching Chinese Ci and Qu in Tokyo and was taken the position as a lecturer in Tokyo University in 1898. Later, Kano Naoki and Shionoya On also taught in Tokyo University and focused their research on traditional Chinese operas. Although they didn't pay enough notice to the achievements by Moil Kainan, the academic links among three of them are subtle. This article analyzes the historical documents about their relationship.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2015年第2期57-67,共11页
Drama:The Journal of the Central Academy of Drama
基金
国家社科基金项目“日本的中国戏曲研究史”(项目编号:12CZW094)
“明代的杂剧辑刊与戏曲文学发展研究”(项目编号:13CZW043)的阶段性成果
关键词
森槐南
狩野直喜
盐谷温
Moil Kainan, Kano Naoki, Shionoya On