“抗战”时期各地抗敌戏剧运动管窥——以《文献》为窗口

On Various Dramatic Movements during Anti-Japanese War

"抗战"初期,爱国剧人统一战线,积极推动抗敌剧运。战时不同生态影响各地剧运特质。沪上孤岛,上海剧艺社弦外有音,隐晦表达民族意识,阶级话语夹杂其中。重庆、武汉、桂林等城市剧人云集,在政府支持下,演出活跃、表达直白。陕北边区延续群众路线,"剧运"主导大众化。国共参与下,文艺宣传各有用意。烽火初起,演剧走向街头、前线,业余、职业,新剧、旧戏,纷纷参与,剧作侧重宣传、说教,艺术尚有提升空间。《文献》主编阿英重视、参与抗敌剧运,借助该刊报道、点评,战时演剧活动略见一斑。

In the early of Anti-Japanese War, many patriotic theater professionals banded together for dramatic movements to resist Japanese invaders. Due to various circumstances, the dramatic movements in different places showed various features. In Shanghai, as an isolated island, the theaters and troupes there expressed their national consciousness and class discourses vaguely. But in other cities such as Chongqing, Wuhan and Guilin, supported by the government, they conveyed their opinions straightforward in performances. In the border region of Northern Shaanxi, they implemented the policy of organizing the public to participate in the dramatic movement. Under the guidance of Nationalist Party and Communist Party, the theatrical publicity indicated different influences. At the very beginning, all of the professionals and amateurs went to streets, battle fields and some factories to perform, but the scripts were didactic lacking artistic expression. The chief editor of Documents reported and commented many performances, which shows the dramatic movements at that time.