摘要
不同领域的相互"越界",多种形式、语言的挪用、杂糅可以说是后现代主义艺术的一大特征。这种"越界"的混杂也成为当代戏剧和电影创作寻求突破的行之有效的手段,由此带来的混杂趣味更呈现出戏剧上的新效应和电影中的新看点。所谓"越界"尝试,也就是两个领域创作手段和表现形式的相互借鉴和利用,本文通过对呈现方式的比较,试图归纳和总结戏剧与电影相互"越界"的方式、方法,探讨"越界"的原则和底线。
The trans-boundary of different areas, which means the appropriation and the hybridity of various forms and different languages is one of the main concerns of postmodernistic arts. The hybridization of this transboundary is also a breakthrough for contemporary theater and film. As a result, the hybrid tastes from transboundary turn to be an new effect and vision. Actually, transboundary brings the efforts of professionals from two areas together, which indicate their mutual borrows and appropriations of creative methods.This article contrasts the representation approaches in theater and film, summarizes the methods used in the transboundary practices for exploring the principles and the boundaries of this mingleing.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2015年第2期131-146,共16页
Drama:The Journal of the Central Academy of Drama
关键词
越界
戏剧
电影
影像
trans-boundary, theater, film, image