论朱光潜与京派文学群体审美趣味的同一性

Analysis of the Identity of Zhu Guangqian and the Beijing School Literature's Eathetic Taste

朱光潜与京派文学群体之间审美趣味的同一性主要体现在三个方面:一是从思想基础看,都坚持中国传统文化与西方人文自由主义的融合;二是从审美立场看,都信奉审美本位主义,反对文学的社会功利化;三是就艺术理念而言,都反对极端的写实主义及极端的理想主义,而崇奉陶渊明式的田园写作。朱光潜与京派文学群体之间审美趣味的同一性,意味着美学的理论研究与文学创作的实践在本质上是相通的。

The Identity of Zhu Guangqian and the Beijing School Literature＇ s Eathetic taste mainly is reflected in three aspects ： firstly, from the view of their ideological basis, the two all insisted the fusion between Chinese traditional culture and Western humanistic liberalism; Secondly, from the view of aesthetic standpoint, Zhu Guangqian and the other Beijing shool writers all believed aesthetic individualism and were against literature＇ s society utilitarian. Thirdly, from the view of artistic idea, Zhu Guangqian and the other Beijing shool writers were all against extreme realism and extreme idealism and worshiped Tao Yuanming＇ s pastoral writing. The Identity of Zhu Guangqian and the Beijing School Literature＇ s Eathetic taste means that the aesthetic theoretical researchand literature practice is the same in nature.