舞台美术新思维三题

Three Themes of New Concept in Stage Design

进入新世纪以来,舞台美术连同整个戏剧继续发生着深刻的变化。舞台美术设计者已作为演出作者而存在;戏剧可以在任何地点发生;舞台出现了去物质化的趋势。这些现象说明,戏剧或舞台美术原有方式和概念的界限在向外延展,与之相关因素之间的界限在相互交错。这无疑代表着舞台美术发展的最新趋势和特点。

Stage design has been undergoing severe changes since the turn of the century. Stage designer is now becoming one of the creators of the stage production; a play can be performed at any spot; the stage, to some extent, has some tendency of being dematerialized. These phenomena demonstrate the expansion of both the methods and ideas reflected from plays or stage design, and the interblending of their relevant elements, which is a new tendency in the development of Chinese stage art.