舞台绘景二度创作新论

A Study of Stage Scenery as Re-creation

作为戏剧演出空间的视觉形象载体,舞台绘景通常根据剧目的要求来参与构造舞台空间。我们把舞台绘景从素材到与戏剧新理念匹配的呈现过程,称为二度创作。二度创作鲜明地反映出舞台绘景与戏剧系统之间"个性"与"共性"、"真"与"假"、"虚"与"实"等关系。舞台绘景的终极价值不仅是为了再现戏剧场景,更是为了营造戏剧及表演空间。舞台绘景只有把握住戏剧的本质规律,才能赋予它清新的格调与鲜活的生命。

Stage scenery as the visual background of the dramatic performance is usually a means of constructing the space according to the play. The process of matching the raw materials with the dramatic ideas in scenery design is known as re-creation. The re-creation demonstrates the dualities of ＂individuality＂ and ＂universality＂, of the ＂realistic＂ and the ＂hypothetical＂, of the ＂void＂ and the ＂actual＂ in stage scenery and the dramatic system. The ultimate value of stage scenery is not to imitate or to reproduce, but to create spaces for drama and for acting. Stage scenery can add life and vivacity to a play only when it is made in accordance with its essential principles