贵州苗族复合纹样与西方超现实梦幻图式

Guizhou Miao Compound Patterns and Surreal Dream Schemata in the West

贵州苗族复合纹样好似苍凉高原的神秘与明朗叠映,狂野与典雅交融,怪诞与秀美共存。巫术观念、宗教信仰的执着超越世俗的审美,使复合纹样进入与神共舞的境界。西方超现实的梦幻图式来源于主体对艺术对象无法割舍的过度迷恋、狂热、偏执,判断力的丧失。艺术家在现实生活中被压抑的性欲望释放到艺术作品中,宗教信仰的执着和艺术的创造性皆具有超现实的魅惑。

Guizhou miao composite patterns like desolate plateau mystery and clear superimposed, wild and elegant blend, strange and beautiful coexistence of civilization in photograph reflect in the fruits of our mind; Concept of witchcraft, religion persistence beyond worldly aesthetic, the composite pattern into the dance with god. Western surreal dream scheme is derived from the subject of art objects chosen by excessive infatuation, fanaticism, paranoia, the loss of their judgment. Artists in the real life of pent-up sexual instinct desire released into the work of art, religious belief fixation and art creative is a surreal charm.