对国展中三个问题的思考

Reflection on Three Questions of the National Exhibition

现代、后现代将是靠"展览视角而不是创作视角"进行书法艺术行走。这里讨论展览诸问题,它不只是纯粹的书法艺术问题,更是一个错综复杂的书法社会议题,不仅涉及人自身问题,还牵涉其互动次生诸多问题,牵涉创作主体、观赏主体和评审主体。进入展览时代,创作主体服从观赏主体和服从展览评审主体。文章针对三种类型问题做出了论辩思考:一是展览导向问题;二是形式至上——引发作品制作问题;三是展览竞争,导致技术滥觞的问题。结语中呼吁,坚持"道体技用",以道为本体技巧为用,实现书法伟大的复兴梦!

in the modem and post-modern times, the calligraphic art relies on perspectives from exhibition other than from artwork creation. The exhibition is not just a problem of calligraphic art, but rather, a complicated calligraphy-specific social theme. The problem involves the self, interaction, derivative, and the subject creation, appreciation and assessment. In the era of exhibition, the artwork creation must give way to the subject appreciation. Aimed at the three types of problems, this paper puts forth some argument-specific reflections： 1, the problem of exhibition orientation; 2, the problem of artwork creation arising from the form priority; 3, the problem of technical patents due to exhibit competition. In conclusion, the artist echoes to follow the principle of ＂art-based skill application＂ and to achieve the revival of calligraphy.