论戏曲与中国古典舞的关系——兼论“昆舞”的体系创建

Creation of the Kung dancing system and the relationship between traditional Chinese opera and Chinese classic dancing

戏曲与中国古典舞的因袭关系是研究当代舞蹈学科的关键,厘清戏曲与中国古典舞的关系可对当下中国古典舞的发展提供更多的建设思路,也是为"昆舞"未来发展挖掘更多的理论支撑和提供创新动力。文章从戏曲的角度看待"昆舞"流派的成型与发展,首先将"昆舞"概念转换为中国古典舞(昆韵流派),为"昆舞"的发展确立重要的学术前提;其次,从"昆舞"的创建源头出发,系统剖析"昆舞"这一新古典舞形式的体系创建、艺术风格以及内在的规律与技法,以期为当代舞蹈学科的建设提供思路和参考。

It took 70 years for Ma Jiaqin to originate＂Kun genre＂ for＂ classic Chinese dance＂, lhough it was called ＂Kun dance＂, but ＂Kun genre＂has included all the elements to be define as a new genre of classic Chinese dance. In this literature, ＂Kun genre＂ has been defined as a new genre of classic Chinese dance just as the other 3 genres, it has changed analyzes its origination, new development. the concept of Kun dance,, and set the origin for Kun genre＇ s development. This literature acting style, technique and rule, in order to build its theoretical basis and set off for the new development.