中西戏剧文学“女性出走”主题对比研究

A Comparative Study of the Theme of “Female Running-away from Home” in Chinese and Western Dramas

"出走"作为一个世界性的文学原型主题,广泛存在于中西方戏剧作品中。然而人类社会中男尊女卑的性别秩序让"女性出走"显得颇为艰难。尽管早在"娜拉"之前,中西方戏剧中的"女性出走"已经零星可见,但却始终没有呈现出"娜拉"进入中国后那种声势浩大的局面。对比研究表明,民族意识的介入可以进一步促使"女性出走"转化为群体行为,从而产生触发人类深入思考的规模效应。

As an archetypical theme of literary works worldwide, ＂running-away from home＂ exists widely in Chinese and western dramas. However, the male-dominant gender order in our society brings great toughness for females to run away from their homes. Long before Nora, ＂female＇s running-away from home＂ occurred from time to time in both Chi- nese and Western dramas, but there had never been such a grand scale of actions as those occurred after Nora came into China. This study concludes that the engagement of national consciousness can further promote ＂female running-away from home＂ to be a group behavior, which will engender a scale effect to arouse our reflections.