Trickster or Colonizer： The Latent Effects of Colonialism in Efua Sutherland＇s Play The Marriage of Anansewa

Trickster or Colonizer： The Latent Effects of Colonialism in Efua Sutherland＇s Play The Marriage of Anansewa

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作者 J. Sunita Peacock

机构地区 Slippery Rock University of Pennsylvania

出处《Journal of Literature and Art Studies》 2015年第6期399-407,共9页 文学与艺术研究（英文版）

关键词殖民主义播放婚姻流行文化加勒比海地区文化背景传统特色加纳 Africa postcolonial drama folklore history literature

参考文献12

1Adams, A., & Esi Sutherland-Addy, V. (2007). The legacy of Efua Sutherland: Pan African cultural activism (pp. 1-26). Oxfordshire: Ayeba Clarke Publishing, Ltd..
2Barber, K., Collins, J., & Ricard, A. (1997). West African popular theatre. Bloomington: Indiana University Press.
3Brown, L. W. (1981). Women writers in Black Africa. Westport: Greenwood Press.
4Deandrea, P. (2004). Trans(I)atlantic i-con: The many shapes of Ananse in contemporary literatures. Journal of Transatlantic Studies, 2(1), 1-26.
5Gibbs, J. (2004). Ghana. In M.Banham, (Ed.), A history of theatre in Africa (pp. 159-170). New York: Cambridge University Press.
6Gikandi, S. (2007). African literature and the colonial factor. In T. Olaniyan & A. Quayson, (Eds.), African Literature: An anthology of criticism and theory (pp.55-59). Oxford: Blackwell Publishing.
7Greene, S. E. (2002). Sacred sites and the colonial encounter: A history of meaning and memory in Ghana. Bloomington: Indiana University Press.
8Pelton, R. (1989). The trickster in West Africa: A study of mythic irony and sacred delight. Los Angeles: University of California Press.
9Pierce, A. (1968). The didactic essence of Efua Sutherland’s plays. Women in African Literature Today, 71-80.
10Rotimi, O. (2007). The attainment of discovery: Efua Sutherland and the evolution of modem African drama. In A. Adams, & V. Esi Sutherland-Addy (Eds.), The legacy of Efua Sutherland: Pan african cultural activism (pp. 18-23). Oxfordshire: Ayeba Clarke Publishing, Ltd.

Journal of Literature and Art Studies

2015年第6期

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