摘要
汉女在汉代文学中频现,然其形象并非静止不变,而是动态变化的。先秦水生崇拜为其产生的母体;汉初黄老思想使其存有助人延年成仙的功用;武帝朝后,基于儒学本位思想而以"礼"的标准对其加以改造,美而知礼;东汉后期,社会动荡使儒"礼"丧失话语权,审美观的改变使汉女更加美艳,且回归至汉初延年益寿之用。
The goddess of Han River Often appears in Han Dynasty Literature. However, her image is not static but dynamic. Aquatic worship in Pro - Qin is the origin of her production. Huang - lao thought in the early Han Dynasty makes her have the function of the prolonged life to help others. They transform her into a beautiful and ritual - knowing person, with the standard of courtesy based on standard Confucianism thought after Han Wudi Emperor Reign. In the latter period of the Eastern Han, social turbulence makes Confu- cian "li" (propriety) lose the right of voicing. The change of aesthetic standards makes her more beautiful. And she returns to own the function of the prolonged life in the early Han Dynasty.
出处
《新余学院学报》
2015年第3期62-64,共3页
Journal of Xinyu University
关键词
汉代
汉女
形象
生成
嬗变
Han Dynasty
goddess of Han River
image
generation
evolution