摘要
《玻璃动物园》是田纳西·威廉斯的一部带有强烈自传色彩的戏剧,剧中的三个主要人物,即阿曼达,劳拉和汤姆都一概被评论家们贴上了"逃避者"的标签。然而通过对这三个人物更深层的探讨,不难发现这一标签贴得过于一概而论。该文由心理分析学派学者阿尔弗雷德·阿德勒的自卑情结理论及卡尔·荣格的人格面具理论作为理论依据,深入探索人物内心,从而得出结论:人物阿曼达并非所谓的"逃避者",相反,她敢于面对现实,活在当下;而她的一双儿女劳拉和汤姆却实实在在是逃避主义的奉行者。
The three main characters in The Glass Menagerie, Tennessee William＇s strong autobiographical tragic play -Amanda, Laura and Tom, have all been labeled “escapees” by some critics. Yet with more thorough exploration into these characters this claim will prove its flaw-it overgeneralizes them. With the theoretical support of Alfred Adler＇s“Inferiority Complex theory”and Carl Jung＇s“Persona theory”, a conclusion can be drawn from the exploration that Amanda is more a character of practicality than escapism, while Laura and Tom are, in a real sense, escapees.
出处
《科技视界》
2015年第18期200-201,共2页
Science & Technology Vision
