论铁凝小说的寓言化书写

An Analysis of Tie Ning's Allegorical Novel Writing

铁凝20世纪90年代以来的大部分作品是其文学创作过程中的一种"突破",比如:《马路动作》《蝴蝶发笑》《我的失踪》《砸骨头》《甜蜜的拍打》《唇裂》《法人马婵娟》《棺材的故事》等都表现出一种审丑意识,人物形象夸张、情节"峰回路转",结构层叠,却又"韵味十足",体现出一种"寓言化"的审美范式。这种寓言化的书写方式,体现出了铁凝文学创作的智慧。文章主要从寓言化的人物形象、情节结构和语言特征等方面去分析铁凝小说的独特之处,从而揭示其作品在寓言化书写下所表达出的审美底蕴和写作的深度。

Most of Tie Ning’s creation since 1990s’ is a breakthrough of her literary life, such as Action on the Road, Laughing Butterfly, My Missing, Hitting the Bones, Sweet Beating, Harelip, Artificial Person Ma Chanjuan, and The Story of Coffin. All these novels showed consciousness of ugliness with exaggerate figures, intricate plot, tied structure and enough taste, reflecting kind of allegorical taste. This paper concludes that the allegorical writing style reflects Tie Ningˊs wisdom in literary creation. Therefore, this article analyzes her novels from the perspective of figures, plot and language so as to discover the taste and depth of the allegorical writing.