论清代西洋肖像画研究对美术学科建设的意义

The Significances of the Study of Western Portraits in Qing Dynasty for the Subject Construction of Art

清代西洋肖像画是18-20世纪初中西政治、经济和文化交流的重要产物,尤其是现存世界各地的几百幅清代油画肖像,是中国美术的珍贵艺术遗产。笔者通过对清代西洋肖像画的系统梳理,厘清南方通商口岸和北方宫廷西洋肖像画的发展格局和脉络,旨在用这些创新研究成果,揭示清代西洋肖像画之于中国油画史和中国美术史学科建设的意义价值,填补中国美术史研究的空白,建构中国油画专门史,达到从理论和学术上促进美术学学科建设的目的,为现代中西美术的交流作出独特的理论贡献。

Western portraits in Qing Dynasty is an important product of Chinese and Western political, economic and cultural exchanges during 18 th century to early 20 th century, especially the hundreds of pieces of Qing Dynasty oil painting portraits which extant around the world are precious artistic heritage of Chinese art. Through systematic research on the Qing Dynasty of western portraitures to clarify the development pattern and context of western portraits in southern ports and the northern palace口 is aimed at revealing the value of Western Qing portraits to subject construction of Chinese oil painting history and Chinese art history, filling the gaps in Chinese art history research, restructuring Chinese oil painting history, to achieve the purpose of subject construction of Art from theory and academic,a nd make unique theoretical contribution to modern exchange of Chinese and Western art research.