摘要
走进如今的山东电影制片厂,仍能感受到上世纪80年代老电影的浓厚气氛,透过窗棱,长长的走廊墙壁上贴满了电影海报,沉淀了一代代山东电影人对电影艺术的热忱。1956年,当全国各地在＂百花齐放＂的艺术方针下纷纷开设电影制片厂发展电影艺术时,山东电影也在这股大潮中迅速成长起来。从上世纪80年代＂60后＂的人捏着1角钱一张的影票排队进入200人的放映厅，到2015年国内电影市场持续井喷，每月都有影片票房过亿的时代。在这将近60年的时间里，山东电影经历了黑白到彩色、胶片到数字、传统到现代的变革。每一个阶段都有无数脍炙人口的佳作问世，每一个时期都有无数优秀电影人涌现。2012年，《止杀令》完成了拍摄工作，为山东电影的胶片时代画上了圆满的句号。自此，山东电影完成了从“胶片”向数字的华丽转型。
In the past nearly 60 years, Shandong Film has undergone revolution from black-and-white to color, from film to digital, from traditional to modern. In the past, all movies were shot and produced with film. After the reform and opening-up, motion picture technique combined with technology developed very rapidly. Film, the ＂old-fashion＂ production method with its high costs, storage and transportation difficulties, soon was replaced by digital technology. With the exhibition of The Founding ola Republic and the Beginning of the Great Revival, the phenomenon the ＂Main-Melody＂ Film joining the commercial package camp has triggered social discussion. Older filmmakers of Shandong once claimed that the modern films are no longer the outcomes of shooting, but of marketing. Since 2000, although some excellent feature films like Yeshe Dolma produced by Shandong won several awards, how to adjust thinking to meet the transformation has become the theme of development of Shandong Film.
出处
《走向世界》
2015年第24期20-22,共3页
Openings
