W.F.巴赫《D大调奏鸣曲》第一乐章音乐学分析

Musical Analysis on the First Movement of Sonata in D Major by W.F.Bach

从19世纪中期到20世纪,在有关古典奏鸣曲式形成与18世纪音乐风格的巨大转变紧密结合的论述和记录中,J.S.巴赫的儿子们及同时代作曲家们是巴罗克晚期向古典主义过渡期新音乐的推动力量。对老巴赫的长子W.F.巴赫《D大调奏鸣曲》第一乐章音乐学分析,可发现他应用于古奏鸣曲中的曲式结构、节奏组织、旋律形态、和声调性构造是那样的多样和富于创造性,及他在奏鸣曲式形成过程中起独特的历史作用。

From the mid 19th century to 20th century, the literature records, related to the close combination of the classi- cal sonata form with the great change of musical style in 18th century, revealed that the sons of J.S. Bach and their cotempo- rary composers were the pushing force of the transition of new music from the late Baroque to the classical. Analysis on the first movement of Sonata in D Major by W.F. Bach, the eldest son of J.S. Bach, may lead to the discovery that the musical structure, rhythmic organization, melody patterns and tonal structure he applied in the classical sonata were so varied and creative. And this is the evidence of the unique historical role he Dlaved in the formation of musical patterns of sonata.